Celebrating the 30th anniversary of the Steve De Jarnatt cult classic.
Taking in everything from art for 2001 Maniacs, The Welcoming, conceptual art for The Poet in Exile, FrightFest, Cine Excess festival, Stealth Autistics Theatre Company, Routledge International Handbook of Children's Rights & Disability, the Daydreaming with Stanley Kubrick exhibition, Glasgow Museums, the Tax Shelter Terrors documentary, concept & art for Scottish Autism's Autitude magazine plus portraits for Cameron Diaz, Kirk Jones and David Hess along the way.
"Ash maybe be trash but he's talented trash...probably the best (picture) anyone's done of me...ever!" - David Hess.
"Beautiful" - Frank Henenlotter.
"I like it crazy WOW!" - Bai Ling.
"I love Ash's Arthole!" - Beatrice Manowski.
"Too European". - Archie Goodwin.
"Fucking awesome. Just awesome". - Tim Sullivan.
"I LOVE LOVE LOVE it!!" - Cameron Diaz.
"Epic illustrator! Amazing!" - Natalia Tena.
"Beautiful! ...so talented ". - Asia Argento.
"Very groovy!" - Bruce Campbell.
"Brilliant and Lovely!" - Jake West.
"I love your images and illustrations...gorgeous, amazing...so deep and cool". - Daria Nicolodi.
"The art you create captures the spirit of the work so magnificently!" - Jen and Sylvia Soska
"Wow, what artwork! love it!" - Rachel Talalay.
"Amazing!" - Aaron Abrams.
"Ash is da man!" - Vito Trabucco.
"...Love the way the artwork of Ash mythologizes the Frightfest line-up year after year." - Graham Kelly Greene.
"truly cool Warholesque pieces!" - Adam Marcus.
Sunday, 7 October 2018
Wednesday, 3 October 2018
Can You See Me?
A portrait project featuring clients and staff of the Glasgow City Mission partially inspired by the groups reaction to Alasdair Gray's portrait of Frances Gordon who was working as a temporary typist for Glasgow museums in 1977.
Unlike traditional portrait projects tho' there are no faces, no representation of the person beyond the images showing their interests.
I was given a list of five things they enjoyed/were important to them and had to figure out how it all fitted together as a coherent piece.
The idea being that traditional portraits are label forming and labels can have negative connotations.
I was given a list of five things they enjoyed/were important to them and had to figure out how it all fitted together as a coherent piece.
The idea being that traditional portraits are label forming and labels can have negative connotations.
As an aside there's a piece here about the process of creating the work with reference to art, empathy and Autism which you may find interesting.
Or not.
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